The Rooms The standard (Urban) rooms are 270 square feet and sparsely furnished, with double or twin beds, a small desk, an even smaller bedside table, and a flat-screen TV. It’s functional and pleasing to use, https://www.zjhyd.com/product/zh-sc-series/ China wholesale electric water heater but its position—beneath a large flat-screen TV—makes (minor) head injuries almost inevitable. But his 43-room property, with intergalactic shapes in metal, wood, and Corian, represents the thrill of the future. A giant, amoeba-shaped bar in bronze and mirrored steel anchors the space; the bronze bench formed by the curving wall is flanked by Arad’s metal Kompass tables and cream Ripple chairs. The custom-made toiletries in the hotel’s signature lime green, purple, and red schemes add a colorful (and drier) splash to the otherwise monochromatic space.
They are arranged over four floors by color (magenta, lime green, purple, and red). Standards are 270 square feet and sparsely furnished; in each, a circular window in the wall behind the bed looks into the bathroom (Venetian blinds allow for privacy). "I do not want to make people feel at home, because they’re not at home," Arad says of his hotel—and in this he has succeeded. The hotel’s room stylists (known in less cutting-edge establishments as housekeeping) mop the bathrooms several times a day.
The Details The flexible steel, LED lamps with convenient bedside switches allow you to read without disturbing your partner; unfortunately, the tiny, notepad-sized shelf that serves as a bedside table barely holds a glass of water, never mind a book. This is one of the few local touches; there are almost no other references to the area’s rich traditions. The petal-shaped Ripple chair in hard thermoplastic (by Arad for Moroso) is far more comfortable and ergonomic than it appears. Included in your stay: use of a bicycle and free admission to a beach 10 minutes away. Duomo Hotel Eyebrows were raised when London- based designer Ron Arad, known for his sinuous metal furniture, announced plans for a hotel in the Italian seaside resort of Rimini, an hour east of Bologna on the Adriatic coast.
The Bathroom The Urban room’s centerpiece is its white Corian-clad bathroom—fittingly described as a wet-room pod.
The space anticipates the Duomo’s inevitable popularity, especially in the summer months: the side wall is a sliding glass door that will allow revelers to spill out into the street. Circular openings in the wall behind the bed look into the pod-shaped bathrooms, which have glass-front walls (a Venetian blind in the window allows for privacy). Red lacquer doors resembling pinball-machine flippers lead to the futuristic reception area. But hotel-watchers were intrigued by initial sketches of the front desk, a spaceship-like tilted metal ring. In fact, the room’s only storage space is a five-foot-wide transparent glass wardrobe (not for the untidy) wedged into the bedroom side of the see-through bathroom wall. Most successful is the lobby bar, where Arad’s steel Kompass tables are flanked by his cream Ripple chairs. But in the end, the 34 rooms and nine suites are perhaps too iconoclastic, tending to sacrifice function for form. The Overview Eyebrows were raised when London-based designer Ron Arad, known for his sinuous metal furniture, announced plans for a hotel in the Italian seaside resort of Rimini, 62 miles east of Bologna.
The Duomo finally opened in June, more than a year late, and it’s clear that Arad didn’t hold himself back—witness The Desk, dramatically realized in polished steel and rumored to have cost upward of 220,000. The town is no design destination, and many considered it a strange spot for some of Arad’s latest work. The Bar The hotel’s design is most successful in the lobby bar, NoMi, where guests and locals mingle over tapas-style dishes (kiwi, tomato, and pecorino dip; ravioli with fresh seafood). Burnished bronze cladding winds its way inside to become the ceiling of the ground-floor bar, then rolls down the rear wall to form a curvaceous bench.duomohotel. Water from the curtainless shower sprays directly onto the teak-slatted bathroom floor, which doubles as a drainage board; the Alessi white-porcelain fittings, like the toilet and bidet, also get drenched.com; doubles from 275. The Workstation The room’s desk is a narrow, wave-shaped shelf designed by Arad. It’s all a seductive celebration of form over function, and it dazzles. 28 Via G.
They are arranged over four floors by color (magenta, lime green, purple, and red). Standards are 270 square feet and sparsely furnished; in each, a circular window in the wall behind the bed looks into the bathroom (Venetian blinds allow for privacy). "I do not want to make people feel at home, because they’re not at home," Arad says of his hotel—and in this he has succeeded. The hotel’s room stylists (known in less cutting-edge establishments as housekeeping) mop the bathrooms several times a day.
The Details The flexible steel, LED lamps with convenient bedside switches allow you to read without disturbing your partner; unfortunately, the tiny, notepad-sized shelf that serves as a bedside table barely holds a glass of water, never mind a book. This is one of the few local touches; there are almost no other references to the area’s rich traditions. The petal-shaped Ripple chair in hard thermoplastic (by Arad for Moroso) is far more comfortable and ergonomic than it appears. Included in your stay: use of a bicycle and free admission to a beach 10 minutes away. Duomo Hotel Eyebrows were raised when London- based designer Ron Arad, known for his sinuous metal furniture, announced plans for a hotel in the Italian seaside resort of Rimini, an hour east of Bologna on the Adriatic coast.
The Bathroom The Urban room’s centerpiece is its white Corian-clad bathroom—fittingly described as a wet-room pod.
The space anticipates the Duomo’s inevitable popularity, especially in the summer months: the side wall is a sliding glass door that will allow revelers to spill out into the street. Circular openings in the wall behind the bed look into the pod-shaped bathrooms, which have glass-front walls (a Venetian blind in the window allows for privacy). Red lacquer doors resembling pinball-machine flippers lead to the futuristic reception area. But hotel-watchers were intrigued by initial sketches of the front desk, a spaceship-like tilted metal ring. In fact, the room’s only storage space is a five-foot-wide transparent glass wardrobe (not for the untidy) wedged into the bedroom side of the see-through bathroom wall. Most successful is the lobby bar, where Arad’s steel Kompass tables are flanked by his cream Ripple chairs. But in the end, the 34 rooms and nine suites are perhaps too iconoclastic, tending to sacrifice function for form. The Overview Eyebrows were raised when London-based designer Ron Arad, known for his sinuous metal furniture, announced plans for a hotel in the Italian seaside resort of Rimini, 62 miles east of Bologna.
The Duomo finally opened in June, more than a year late, and it’s clear that Arad didn’t hold himself back—witness The Desk, dramatically realized in polished steel and rumored to have cost upward of 220,000. The town is no design destination, and many considered it a strange spot for some of Arad’s latest work. The Bar The hotel’s design is most successful in the lobby bar, NoMi, where guests and locals mingle over tapas-style dishes (kiwi, tomato, and pecorino dip; ravioli with fresh seafood). Burnished bronze cladding winds its way inside to become the ceiling of the ground-floor bar, then rolls down the rear wall to form a curvaceous bench.duomohotel. Water from the curtainless shower sprays directly onto the teak-slatted bathroom floor, which doubles as a drainage board; the Alessi white-porcelain fittings, like the toilet and bidet, also get drenched.com; doubles from 275. The Workstation The room’s desk is a narrow, wave-shaped shelf designed by Arad. It’s all a seductive celebration of form over function, and it dazzles. 28 Via G.
コメント